This week you get a two-fer: a Crafty Monday AND a Fabulous Find...
Read On...
First, the find. I have been following this blog for a while now and I think this girl is just rad, so I thought I would share. (Mom, you'll love this.) Her name is Marisa and she takes old frocks, muumuus, pantsuits, jumpers -- you name it -- and turns them into great outfits. Her goal is to make one new dress/piece a day without making a single "new" purchase, and within a budget of $365 for the year. Inspiring. Check it out at New Dress a Day.
Now for a quick overview of tonight's activities on my kitchen floor: book binding!
I have wanted to stick all these pieces of watercolor paper I've got floating around into a nice bound book that I could use as a better sketch gratitude journal. (The one I had before was great for writing and some pen sketches, but now that I am adding watercolor to the mix, I need better paper!)
In the spirit of reusing, I went to the local used book store looking for a cheap book that I wouldn't feel bad about destroying to use for the cover of my new journal. When I got to the store, I found a box outside of FREE BOOKS, some of which were hardback, and one of which was the perfect size for my papers. I also scored a few extras: A Light in the Attic by Shel Silverstein (who would throw that away?), a really old vegetable gardening book (it smells musty -- I love that), and a Psychology textbook for good measure. I always wanted to take psychology classes in college but never did. Maybe now I will learn the name for obsessively collecting books...
Anyway, here is the victim:
After some demolition (I cut along the end papers, pulled out the book block, and cut the cover boards from the binding cloth):
Once I had my cover boards, I made signatures by folding my watercolor papers in half and stacking three of these folios together. (I like sparse signatures in sketchbooks.) Next, I took out the phone book to use as a stand to make holes in each signature:
I cut a piece off of the phone book cover to use as a guide for making the holes in each signature. I used five holes: one in the middle of the page length, one 1/2 inch from each end (to stabilize the signatures) and two intermediately spaced between the center and outer holes. Next, I put the guide down and started punching holes with my tiny awl:
Once all the signatures had identically-spaced holes punched in them, I sewed them together with linen thread. I didn't photograph the process, but there is a great explanation of the same method I used here.
Here's the finished book block:
And finally onto the cover! I had to double up on binding tape because the spine was a bit too wide (I should have measured before sewing the signatures together), and that made for a sort of ugly taped spine with a seam, but I can fix it with more glue later. I decided not to re-cover the cover boards because I liked the old blue binding cloth. Instead I chose end papers that coordinated with both the old blue book cloth and the new chartreuse binding tape:
Want a close up? Thought so!
Then I stuck it all together and forced the block into the new cover (I always have trouble getting that part to go smoothly):
As for the line of glue I accidentally got on the back of the book, I took care of it:
Now for a quick overview of tonight's activities on my kitchen floor: book binding!
I have wanted to stick all these pieces of watercolor paper I've got floating around into a nice bound book that I could use as a better sketch gratitude journal. (The one I had before was great for writing and some pen sketches, but now that I am adding watercolor to the mix, I need better paper!)
In the spirit of reusing, I went to the local used book store looking for a cheap book that I wouldn't feel bad about destroying to use for the cover of my new journal. When I got to the store, I found a box outside of FREE BOOKS, some of which were hardback, and one of which was the perfect size for my papers. I also scored a few extras: A Light in the Attic by Shel Silverstein (who would throw that away?), a really old vegetable gardening book (it smells musty -- I love that), and a Psychology textbook for good measure. I always wanted to take psychology classes in college but never did. Maybe now I will learn the name for obsessively collecting books...
Anyway, here is the victim:
| Sorry, Mr. Ainsworth! |
| Anyone want a coverless copy of The Haverfield Incident? |
| Ah yes, my pretties... |
I cut a piece off of the phone book cover to use as a guide for making the holes in each signature. I used five holes: one in the middle of the page length, one 1/2 inch from each end (to stabilize the signatures) and two intermediately spaced between the center and outer holes. Next, I put the guide down and started punching holes with my tiny awl:
Once all the signatures had identically-spaced holes punched in them, I sewed them together with linen thread. I didn't photograph the process, but there is a great explanation of the same method I used here.
Here's the finished book block:
And finally onto the cover! I had to double up on binding tape because the spine was a bit too wide (I should have measured before sewing the signatures together), and that made for a sort of ugly taped spine with a seam, but I can fix it with more glue later. I decided not to re-cover the cover boards because I liked the old blue binding cloth. Instead I chose end papers that coordinated with both the old blue book cloth and the new chartreuse binding tape:
| How beautiful is that paper? |
| Yummy end papers! |
| Will have to put a vintage-looking bookplate here. |
| Finally! A watercolor book with real watercolor pages... |
| ...that lies perfectly flat! |
| Special thanks to the cover-donor. I'm thinking about how (or whether) to adorn the front cover... |

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